Emily Bhargava

1″ x 2″, beads and glass

This pendant tries to capture a poem that held many ideas, but spoke to me about the treadmill that we’re on, and about how much latitude we might really have to choose what to create.  Like bees in a hive we’re all busy busy busy and then what we have to show for our work  can be sweet, can be nourishing, but is fleeting; food for the next generation.  While honeycombs are geometrically perfect, this one is not.  It captures the essence of the hive structure but was made by a very human hand, not programmed for the perfect architecture of the hive.   But when it moves it shines, and offers a different kind of gold.

1″ x 2″, found objects

Captured in the lovely prose poem that inspired this piece is the overwhelming power and beauty of the bloom of life, and the equal, if less overt, power of the other stages; the seed with its potential and the memory with all it carries. The pendant uses  found objects to mirror the vibrancy and intricacy of the blooming “bejeweled” bottom with the delicacy and simplicity of the single gem shining above.  The continuity of colors and materials shows that the the top and bottom are are one and the same.  

1″ x1″ glass and found objects

Visualizing another gorgeous poem, these colors and shapes say spring.  This pendant finally offered me a way to use millefiori, the flower-shaped sliced glass cane, as flowers!  But my favorite part of this composition isn’t the flowers, the stones or the moon-bead, but the tiny lines emerging at the bottom like new sprouts from the earth in spring.

1″ x 2″ glass

This pendant responds to a poem that beautifully explores the many reasons that we feel compelled to move.  We travel far and wide to be safe and comfortable and loved.  All made with glass cane, the colors and shapes on the bottom are separated and searching for the place where they will be welcomed. 

1″x1″, glass

I can’t believe I made it through a full year of health-related pendants without making a chocolate-themed one, but better late than never!  Here it is, in honor of the chocolate-making class that I get to take today!  Glass has a strange way of looking like chocolate. A long time ago I made a set of flameworked beads in the shapes of chocolates, and this pendant is like the raw material.  Split glass smalti looks to me like rich chocolate, crunchy peanut butter and caramel just waiting to be turned into a tasty treat.

1″ x 2″, glass

This pendant is an interpretation of one more beautiful poem that will be included in the upcoming group show “Translations” opening March 8th in Needham (see events list for more details).  I chose the colors to reflect the hues of fall, with the reflective, glowing quality that the evening sun can give, and placed the rough-cut edges of the black glass up to show the irregularity and variety that I love as I watch leaves floating down to the ground.

1″x1″, found objects

Everything is more beautiful in multiples, that’s why nature is so amazing,  unbelievable numbers of blades of grass, leaves, branches, berries…

Even machine-made jewelry findings gain a beauty and a rhythm in multiples.

1″ w x 2″ h, found objects

This pendant goes back to basics and just uses some of the beautiful antique watch parts that I’ve collected over the years.  Like the lead in a stained glass window, the black epoxy frames and separates each piece.

1.25″ x 1.25″, glass

A very dear friend of mine passed away recently.  She was a mosaic artist who collected wonderful tesserae, and I made this pendant out of pieces from her collection.  While this doesn’t look anything like her work, I know that by using her materials this piece will make me think of her every time I see the moon.

1″ diameter, found objects

This week was my birthday, and I was so busy that I barely had a chance to pause to take a breath (or post a pendant), but being celebrated did make me take a few hours out to enjoy the people around me and to think about the passing year. This design made from seeds and clay beads is meant to reflect a calendar, with a colored bead marking each season of the year.

1″ x 2″ glass and found objects

This pendant is a bit of a mish-mash with pieces of technology, beads, broken glass and pieces from polymer clay canes that I made when I was a child.  If “the blues” are things that make us sad, I like the idea of taking them all and forcing them into an itsy-bitsy frame where somehow, as a collection, they take on a new beauty.

1″ x 2″, glass and found objects

As a nod to Thanksgiving, this pendant is one of a series that includes pieces of glass from a plate with the image of the brilliantly-colored turkey, the peacock.  A sign of welcome in some parts of the world, peacocks remind me of the irony that our country celebrates one immigration story while at the same time making so many new immigrants feel unwelcome.

1″x 2″, found objects

This piece has a very different feel than the last few that I’ve made.  A response to another touching poem that will be part of a collaborative exhibit in March, the pendant explores the imagery, the cadence and the facade of joy that nursery rhymes carry.

1″x1″, glass and found objects

One more pendant grew from this year’s Diwali sweets. The back side of glass that’s pressed with foil looks just like Indian burfi  with silver foil on top.  Cut into a diamond just like a burfi, this pendant will make me hungry every time I see it.

1″x 2″, found objects

Patina is the change on the surface of metal that shows its age. It can become darker, irregular and more colorful as it interacts with the chemicals around it. I’ve been watching how humans age lately, and thinking about how we also become more irregular and colorful over time. This pendant is a commentary on the passing of time that combines intentionally patinated metal, shiny beads that will never show their age, and antique watch parts, dark with patina.

1″x1″, glass and found objects

Sometimes the Diwali outfits at family celebrations are all about color, but this year they were all about shine. A little bit of metallic thread, a shiny mirror, a lot of rhinestones…and then simple fabric becomes amazing.  This pendant is about creating shine and eye-catching sophistication from less-than-perfect materials.

Welding doesn’t exactly lend itself to small jewelry work, but at an amazing welding class last week at Snow Farm with James Kitchen I salvaged these bits from the scrap pile and turned them into a pendant when I got home.

Glass, 1″x 2″

In the second of my poem-inspired pendants, here is “the tree, against the backdrop of the sky”.  You’ll have to come to our January opening to see the rest of the beautiful and moving poem.  I created the form of a tree by breaking a thick, frosted, mirror-backed piece of glass along the lines of a trunk, branches and roots.  The deep cracks are visible through the glass from many angles giving depth to what would otherwise be a flat design.  The colors and textures of the pendant sky, like the real sky, change as the light changes.

1″ h, 3/4″ w, found objects

I found a bug (might have been a bee but it was black and very large) dead on the path that we were walking along.  It’s wings were iridescent, with all the colors of the rainbow.  I took the wings to find them a new home in this pendant.  Looking at the size of the wings makes me think about the enormous distance that we flew to get here.  Imagine flying across oceans and continents on wings this size!

1″x 2″, found objects

It seems strange that even being here in India, where the colors are intensely bright and varied, my pendants have been subdued.  But the flavors are definitely not subdued.  There’s such an amazing array of spices that nothing ever tastes dull, except, of course, the food that we cook ourselves.  This pendants uses beans, mustard seed and cumin seed to make a dense (and delicious) pattern.

1″ x 1.5″, glass and found objects

After the British conquered India, Hyderabad remained an independent princely state. It wasn’t until 1948 that Hyderabad became part of India.  Walking through the streets of the bazaar that surrounds the now empty Chowmahalla palace, the colors and sequins and beads and sounds are brilliant and somewhat overwhelming.  The stalls of glittery border ribbon and clothes call your attention, but among the stalls was a man quietly selling old coins, including this coin from the Hyderabadi princely state. In this pendant the coin and its history are central to design, lending a color scheme and guiding the form, but the glitter and gleam of the beads that surround it threaten to overwhelm it.  Like looking for the older history amidst the hustle and bustle and color of present-day Hyderabad, you have to look closely.

1″ x 1.5″, found objects

A swim in Lake Dennison helped break the heat yesterday, and at the bottom of the lake was a beautiful clam shell with a big hole through one side. The clam was missing, but little fish were still swarming to eat the small bits of meat that were left inside.  Once it had been cleaned by the little fish I took it home to enjoy.  I always feel like I’m on a treasure hunt at the beach.  With this pendant I’ve taken the lake’s treasure and turned it into my own. The design is also a mosaic nod to the long tradition of Wampum in Massachusetts.  

1″x 2″, beads and found objects

It’s hard to wrap my head around the idea of things that are super small or super large.  I had a conversation with my daughter yesterday about the idea of atoms.  She said “you can’t kiss an atom because it’s teeny tiny” and then proceeded to kiss her hand, saying “I’m kissing lots of atoms”. We talked briefly about the size of the universe, but moved quickly on to people sizes, a relatively small range of tall people and short people.  This pendant is my nod to our imaginary travel through scales. If I were on the Magic School Bus, maybe kissing an atom would look something like this.